City and Colour @ Troxy : a bewitched fangirl's review.
On
Saturday 29th February I ventured into East London for the
best possible reason – a gig at the Troxy, and not just any gig,
but the one and only Dallas Green. Better known under his quietly
ingenious band name, City and Colour.
I've
seen Dallas perform live a couple of times before in recent years but
even with past experience I could not be ready for the electric
excitement within the venue, and the awesome on-stage presence he
commands. That man and his guitar, plus a perfect backing band.
First we were introduced to Lucy Rose. She is gorgeous, quirky and infinitely talented. Her wild acoustic beauties got us in the mood – oh, especially when she abruptly called out “Ladies and gentlemen, Dallas Green!”
The man himself walked on stage, in jeans and a casual tee, stepped up to her accompanying mic and sang along with one of her own penned singles. Just a curt nod hello – he didn't make it about himself. What a gent.
The
lights went down and of course the crowd began shrieking and
applauding, some even yelling above others professing their love for
Dallas. I will admit I was immediately swept up in the desperate
thrill, and let myself whoop a couple of times. Then the hush fell.
We waited patiently, breath held.
Imagine
our astonishment, then, when suddenly some ancient country music
starts playing. The tension in the crowd breaks and laughter
circulates – people start dancing along and chattering amongst
themselves. Then Dallas takes to the stage, and all he says before
launching into the first song is “We’re the Three Amigos. Even
though there are five of us.”
The
set list was unreal. Mostly tracks off his deep and delightful latest
release ‘If I Should Go Before You’, the most exciting and
dance-inducing being ‘Killing Time’, ‘Wasted Love’ and
‘Northern Blues’. He opened with his 9-minute tune ‘Woman’,
which was unexpected and fantastical. It brought the most beautiful
calm to the crowd; we swayed happily throughout.
Dallas
also mixed it up now and again with some of the lesser known B-sides
from the last couple of albums (‘Hurry and the Harm’, ‘Bring Me
Your Love’).
He
purposefully, famously, does not play some of his most well-known
songs at his gigs. Classics from the ‘Sometimes’ album such as
‘Save Your Scissors’ and ‘Like Knives’, even ‘Sam Malone’,
are never heard live these days. As a die-hard fan, I have accepted
this. However, a little part of me has always yearned to hear ‘Hello,
I’m in Delaware, my favourite song in the world, played live –
just once.
So when Dallas started strumming rather vaguely on his snazziest electric guitar and then slowly leaned in to the mic to utter the words ‘there goes my life’, I felt my knees buckle, and there was an uproarious cheer all around me as my fellow fans realised what was happening.
So when Dallas started strumming rather vaguely on his snazziest electric guitar and then slowly leaned in to the mic to utter the words ‘there goes my life’, I felt my knees buckle, and there was an uproarious cheer all around me as my fellow fans realised what was happening.
As
if that whole portion of the gig wasn’t emotional and beautiful
enough, in his encore he played ‘Body in a Box’ and did his usual
jokey spiel beforehand, saying “everyone get your cell phones out
and shine the light…great, now put them in your pocket and keep
them there for this entire song!” Which was, as always, met with
hysterical laughter and applause. It’s no secret that Dallas hates
those who hold phones up and record during his shows.
Dallas
would occasionally pause between songs to utter the most gentle and
sincere ‘thank you’, but I feel we should all have been thanking
him, endlessly. For the most wonderful evening, packed with joy and
magic.
(FULL
SET LIST: ‘Thirst’,
‘Northern Blues’, ‘Two Coins’, ‘If I Should Go Before You’,
‘Killing Time’, ‘Hello, I’m in Delaware’, ‘Wasted Love’,
‘Weightless’, ‘Lover Come Back’, ‘Waiting…’, ‘Sleeping
Silence’, ‘Woman’. ENCORE:
‘Body in a Box’, ‘The Girl’, ‘The Grand Optimist’, ‘As
Much as I Ever Could’)
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